Let’s
start the party.
So here’s how this is going to work: see those numbers after the review series title in the header? The first number represents each ‘volume.’ I’m dividing up the Avengers comics by decade—1 means 1960s, 2 means 1970s, etc. (I’m going by cover dates, not the dates they were actually available.) The second number represents how many parts into the volume I am, and it’ll reset at the start of each new volume. I’ll try to review one to three comics per post, depending on the length of the comics and how much I have to say about them. For example, Avengers #200 will probably get its own post because it is longer than the average comic and also it is an unholy abomination. Mostly that last part.
Anyway! Without further ado, I bring you the very
first issue of The Avengers—and of Avengerous
Tales.
The Avengers debuted in 1963 and was
drawn by—you guessed it—Jack Kirby and written by—you guessed it—Stan Lee. Well, maybe.
There’s actually debate about how much writing Lee really did on any
given issue of any given series he was credited for during this period, but I
have zero interest in entering that debate right now.
Our
very first issue opens in Asgard, home of the Norse gods. Specifically, we’re on the Isle of Silence,
where Loki has been imprisoned for being, well, Loki. To be honest, I’ve never really liked
Marvel’s portrayal of our mischief god-in-residence. In the original myths, Loki is more Chaotic
Neutral than anything else, whereas in the comics, he’s just another villain,
doing evil things because he is evil. He’s
not nearly as interesting as the mythological version, who is just as likely to
help giants kidnap a goddess as he is to rescue a mortal boy from a troll for
no apparent reason other than just because.
Hiddleston and some of the more recent comics (Young Avengers, Loki: Agent of Asgard) have since made the
character more interesting/sympathetic, but for now, we’re stuck with the
card-carrying villain version.
Anyway,
Loki.
Loki
is lonely in his prison and wants his bro to come back home and play with him (or
he wants to kill him, I forget which). He
uses his powers of “thought projection” to spy on Earth like a creeper. The fact that his thought projection
manifests itself as a pair of giant eyeballs in the sky does not help. He finds Dr. Donald Blake, Thor’s mortal
identity, but playing with Blake doesn’t appeal to Loki, so he devises a plan
to convince Blake to transform into Thor.
But
what menace can possibly be serious enough to accomplish that task? The Hulk, of course, who is currently bouncing
around the American southwest. Loki
creates the illusion of dynamite on a nearby railroad trestle, which causes
Hulk to destroy the trestle in his attempt to grab the dynamite.
The
Hulk proves to be more resourceful than Loki counted on and uses a boulder to
plug up the hole in the tracks. But
beyond saving the train and its passengers, that doesn’t really matter: the
Hulk was spotted and the public panics, blaming him for the near-disaster. It’s not long before Rick Jones—most of you
probably know him as “that moron Bruce Banner had to save from getting gamma
ray’d only to end up gamma ray’d himself”—gets wind of all this. Rick is the only person who knows that the
Hulk is not a bad guy, so he immediately goes to get help from his own Teen Brigade,
“a group of youthful radio ham enthusiasts.”
Okay,
first of all, it’s ‘ham radio,’ not ‘radio ham,’ which sounds like a losing
entry in a meat sculpting contest. Second,
was ham radio really that popular with teenagers back in the sixties? Not only does it show up here, but when Teen Titans debuted a couple years
later, they used radio to receive distress calls from teenagers too. Is that just what the young’uns did before
texting was invented?
The
Teen Brigade radios the Fantastic Four for assistance but Loki, who’s been
watching all of this from his giant sky eyes, intercepts their radio signal and
switches its frequency so that Dr. Blake, who JUST HAPPENS to be listening to
the radio, gets the message instead.
Because apparently Loki can do that.
You’re just making up powers as you go along, aren’t you?
Blake,
naturally, transforms into the Thor, but he wasn’t the only one to receive the
Teen Brigade’s fateful message…
Iron
Man also hears the broadcast, and all four heroes converge on the Teen Brigade,
much to Loki’s annoyance. Wanting Thor
all to himself, Loki lures him away from the others with an illusion of the
Hulk. When the illusion disappears,
however, Thor realizes Loki has been punking them all along and hightails it
back to Asgard, undoubtedly to dish out another ineffectual punishment.
At
this point, you might well be wondering what has happened to the real
Hulk. The answer is obvious: he’s taken
refuge as a circus act, where the other performers think he’s a super-strong
robot who likes traumatizing the animals.
One
of Ant-Man’s ants reports back to him (and you thought Aquaman’s powers were
stupid*), and Ant-Man tells his six-legged friends to try to trap the
Hulk. If you think trying to trap the
Hulk anywhere is a bad idea, you are correct.
Both ant-built traps fail, because THEY’RE ANTS. SERIOUSLY.
Naturally,
the audience thinks this is all part of the show, because fictional audiences
are dumb like that. To further prove
their gullibility, the second the Hulk wipes off his clown make-up, they
suddenly realize that he was not, in fact, a robot and is, in fact, the Hulk. It’s not even like it was full-face make-up—it
only covered his lips and eyes!
You mean that giant green super-strong guy with the bad haircut who looked exactly like the Hulk WAS THE HULK?! He truly is a master of disguise!
Hulk
basically says screw it at this point and makes a break for it with Iron Man in
pursuit. Meanwhile, back on Asgard, Thor
asks Odin’s permission to go knock Loki down a peg or two.
Thor
makes it past all of the traps Loki set on the island. Again, he has way more free time than one
should generally allot the god of mischief, Odin. Also, I’m glossing over this part—and a lot
of other parts—because this comic is unbelievably dense for just twenty-four
pages. There’s probably enough material
here for two or three comics, so there’s constant action and the story moves
very quickly. If I tried to cover
everything in detail, we’d be here a while.
Defeated,
Loki tries to jump off a cliff to escape Thor—which seems a little extreme, but nobody ever said Loki was the god of sound reasoning—who just magnetizes his hammer
through whatever the magical equivalent of technobabble is and uses it to pull
Loki to him. I guess Loki had a metal
belt on or ate a handful of tacks or something before Thor showed up.
Back
on Earth, Iron Man has chased the Hulk all the way to a Detroit factory, where
they proceed to tear the place apart.
Iron Man even pulls the old “I’m trying to HELP YOU” bit while throwing
tires at Hulk. Granted, the tires just
bounce off, but how is attacking him supposed to convince him you want to help?
Thor
returns to Earth with Loki in tow, explaining how this was all just a big
misunderstanding. Loki, however, turns
himself radioactive in a bid to convince Hulk and Iron Man to leave him and
Thor to duke it out alone. Just in the
nick of time, Ant-Man’s ants open a conveniently placed trapdoor that drops
Loki into a conveniently placed lead-lined chamber. Thor says this was in place so radioactive
waste could be dumped safely before being dumped (presumably unsafely) into the
ocean.
Um. They’re at an automobile factory in Detroit. Why
would they dump radioactive materials in an auto factory? Is this some sort of dig at Detroit or something? I thought Detroit was still doing okay in the
‘60s. This makes no sense.
Whatever. Loki is defeated, Ant-Man realizes how much
good all of these heroes (plus Hulk) can do together and suggests they team up,
and they do. And here’s a little trivia
for you: the Wasp is the one who came up with the name Avengers. I’m just pointing that out because it’s pretty
much the only useful thing she does in this comic for the next twenty
years. You just wish I was kidding.
Hell,
she’s not even considered a real Avenger yet—just look at the team’s individual
portraits in the upper left hand corners of the covers. No Wasp.
It’s like the original version of the Gilligan’s Island theme where they ended with “and the rest” even
though there’s only two people left, but in this case “and the rest” includes
just one person, which makes it even sadder.
Wasp does show up in the corner by Issue Three, which only goes to prove
they could have fit her in from the
start and just didn’t feel like it.
Next
up, Issue Two, and we already have a minor change to the Avengers line-up. In Tales
to Astonish #49—an extremely silly story about an alien who erases people
into other dimensions—Ant-Man gained the ability to grow large as well as tiny,
so he’s Ant-Man when he shrinks and Giant-Man when he grows. He can still talk to ants though. I know you were worried about that.
We
begin in Tony Stark’s library in the very first Avengers meeting, where Thor
and the Hulk get things off to a rousing start by insulting each other.
(To
be fair to the Hulk, Thor started it by calling his clothes “repulsive.”)
(To
be fair to Thor, Hulk could probably benefit from an appearance on a makeover
show.)
(If
the Hulk ever appeared on a makeover show, I might actually watch one.)
Meanwhile,
just above Earth’s atmosphere…
Sadly,
that hilarious and anachronistic crossover is not to be (though you would totally read it, don’t lie to me) Our mysterious visitor is actually the Space
Phantom, a purple-skinned alien with the power to shapeshift into anyone while
sending whoever it was he replaced into limbo.
He’s come to Earth to defeat the Avengers to clear the way for a
full-scale invasion.
The
Space Phantom takes over some random guy on the street and apparently just
waltzes right into Tony’s mansion.
Because it’s not like a millionaire and engineering genius would lock
the door or have any sort of security beyond the table/security camera gizmo
that alerts them to the Phantom menace.
The next time I walk past a rich guy’s house—which I totally do all the time—I’m going to try
waltzing right in and see what happens!
The
Hulk storms off to deal with the intruder alone, but the Space Phantom is quick
to take on his appearance, thereby banishing the real Hulk to limbo. He then proceeds to act like an even bigger
jerk than Hulk was, insulting the other Avengers and even taking a few potshots
at Iron Man before storming out of the mansion to trash a city street. For some reason, none of the Avengers follows
him or tries to stop him, but Rick Jones just magically happens to be there to
talk him down. What is he even doing in
New York? He’s from New Mexico!
Phantom
Hulk drags Rick to an open field in order to fulfill his need to monologue
about the success of his evil scheme (seriously, that is the exact and only
reason he gives for kidnapping Rick), then bounds off to steal Tony Stark’s
latest invention: an anti-missile missile gun.
Two
things should be running through your head right about now.
The
first is probably a big question mark, since Tony gave up building weapons
after getting kidnapped and nearly killed overseas, didn’t he? Well, yes and no. The idea that Tony’s kidnapping made him
realize the immorality of war profiteering is a relatively new one perpetuated
by the recent films. In comic book
continuity, Stark Industries continued to build weapons for many years after Tony
became Iron Man; they finally stopped in the 1970s, much to SHIELD’s
everlasting displeasure, but that’s another story.
The
second thing is that “anti-missile missile gun” is about the stupidest name for
a weapon you’ve ever seen, perhaps second only to “burp gun.” And if you were wondering if it looks as dumb
as it sounds, here’s your answer.
Someone
or other calls Tony to tell him of the robbery.
Tony is alone when he gets the call so I guess… the Avengers just ended
the meeting when the Hulk ran off…?
You’d think they’d stick together and try to get him back, but
considering what Iron Man says to Phantom Hulk after Tony “sends” him to
investigate the theft—“I always thought we had made a mistake allowing you to
join the Avengers!”—they probably don’t know each other well enough yet to care
about the each other’s wellbeing.
Wait
no, that’s stupid. One, the Hulk is
unpredictable. As superheroes, it is their self-appointed duty to keep people
safe, so they should have gone after him anyway. Two, YOU ARE A TEAM NOW. If you want this little clambake to work out,
put some effort into it! Do some team-building
exercises. Talk about your hobbies. Do a puzzle.
Have a tailgate party. Just make
sure everybody roots for the same team as the Hulk…
Iron
Man gives Hulk a mild electric shock, which spooks the Space Phantom into
becoming a nearby insect. This drops a
confused and annoyed Hulk into the middle of the battle, where he continues to
fight with Iron Man. Rick Jones,
meanwhile, has located a local member of his “nationwide” Teen Brigade and
borrows the kid’s radio to call for assistance.
He explains the whole mess to Giant-Man, who (along with Wasp) breaks up
the fight between Iron Man and Hulk.
Either
way, she’s right and is promptly attacked by Phantom Bug. Giant-Man tracks her down to Tony Stark’s
factory—even though I thought the Wasp was right behind him a second ago; how
did they get so far away so quickly?—where Phantom Bug becomes Phantom
Giant-Man. The Wasp and the Hulk witness
his change, however, and while the latter makes himself useful kicking the crud
out of him, the Wasp flees to get big strong manly Thor for help. What kind of superhero are you, woman?! Wait, I think I answered my own question.
By
the time Thor shows up, Phantom Giant-Man has become Phantom Iron Man and has
the Hulk and Giant-Man on the ropes.
Thor defeats his foe in a manner that you absolutely have to see to
believe.
The
Space Phantom is defeated when he tries to impersonate Thor, but apparently his
powers don’t work on Asgardians, so instead of sending Thor to limbo, he
accidentally sends himself. Even though
the Avengers have triumphed, this little escapade has made Hulk realize just
how much the others hate and fear him. He
quits the group, leaping into the sunset while the Avengers gossip about how
much they don’t like him.
The
series so far is GLORIOUSLY cracktastic.
At least half the plot points depend on coincidence and luck, the
dialogue is hilariously overdramatic (that was pretty typical for the era,
though it must be said, Lee took the art form to new heights), and the artwork
is a dynamic joy. However, the
characters are pretty straightforward and not very interesting. The good guys are good, the bad guys are bad,
and Wasp is a girl. No complexity
whatsoever. Well, except with the
Hulk—all he wants is to be left alone, and he certainly doesn’t want to be a
villain, but circumstances keep conspiring to push him into a role he keeps
trying to avoid. It’s almost Oedipal:
dude tries to avoid his fate only to find himself smack dab in the middle of it
before he realizes what happened. He’s
easily the most interesting character here, so naturally, he’s the first to go.
To
be fair, some of the others start to develop personalities by the second issue,
if you can count “bullying Hulk” as a personality trait. It does make them seem less one-dimensional,
more prone to human faults, I suppose. I
prefer to think of everyone as a blank slate, ready and waiting for future
writers to add on to and elaborate upon until they are fully realized
characters.
That’s
about all I have to say for now. I can’t
guarantee that I’ll post regularly, and I know this is a huge task I’ve set for
myself, but I’m going to do my best to keep at it until it’s all done.
To read Avengerous Tales 1.2, go here!
Images from Avengers #1 and Avengers #2
*I
in no way, shape or form think Aquaman’s powers are stupid. Anyone who can create a literal sharknado if
you annoy him is not to be trifled with.
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