For many shows, airing at least one holiday-themed episode is sort of a tradition. Christmas seems to be the most popular subject, but appearances by Hanukkah, New Years’ Eve/Day, Thanksgiving, and others are certainly not unheard of. Having lasted an impressive ten seasons, Smallville had plenty of time to air plenty of episodes about plenty of holidays, and in Season Five, they decided to go the spooky route with a tangentially Halloween-themed episode, complete with costume parties and hot lady vampires. Boy, was that ever dumb.
The ONLY bright
spot here is that this was made before Twilight,
so they couldn’t rip it off or make “fun” references. And that is the only Twilight reference I will make in this review. I knew you’d be expecting it, so I got it out
of the way early so that, like the later Hitchcock cameos, it won’t distract
you from enjoying the rest of the show.
You’re welcome.
I haven’t seen it in a while (except for this episode), but I liked Smallville. For the first three seasons. Then it started getting repetitive and focusing on that idiot Lana instead of that idiot Clark and nobody ever seemed to remember the lessons they learned six flipping episodes ago and then Michael Rosenbaum left and… anyway. The episode I’m looking at today, “Thirst,” isn’t necessarily bad for any of the reasons I just mentioned. No, this one is something extra special.
In the first few
minutes, we find out that the whole thing is from aspiring reporter Chloe
Sullivan’s perspective. For those who
haven’t seen the show, Chloe was created specifically for Smallville, probably so that people wouldn’t complain that Clark
had no female friends outside of his love interest. (Lois Lane, Chloe’s more
popular cousin, didn’t show up until Season Four.) Chloe is considerably more
awesome than Lana. At least in my house,
don’t know about yours.
So why is this from Chloe’s perspective,
you might very well ask? Turns out that
the only way to get her dream internship at the Daily Planet is to impress Pauline Kahn, the horrible and
mean-spirited editor-in-chief, with a truly sensational news story. Evidently, the story Chloe thought would
impress her most was the one about the bloodsuckers’ sorority. Spoiler alert: Kahn thinks it’s stupid. And yes, that is what this episode is
about—sorority girls who are vampires.
Yay?
So anyway, the
real story begins at the Tri Psi Sorority House at Metropolis University, where
we meet the world’s luckiest pizza delivery guy.
And while we’re
at it, why don’t we ever hear about this again?
Didn’t the pizza place realize one of their guys had gone missing while
making deliveries and start asking questions?
I have to assume he was one of those jerks who steal their coworkers’
lunches out of the office fridge and nobody liked him anyway.
Meanwhile, back
in Smallville, Lana tells Clark at the very last second (she’s literally
packing and about to head out the door) that she’s going to college at Metropolis
University instead of Central Kansas A & M University, which is the school
Clark attends. Yeah, this is the quality
of people we’re dealing with. They selfishly
keep secrets from loved ones and then try to justify it with “I totally had
your best interest at heart, I swear!” (Though in this case, Lana claims that
she “didn’t want to get her hopes up” about getting into Met U, but that
doesn’t explain why she didn’t tell Clark about her acceptance right
away.) And that goes for everybody, not
just Lana. I really have to wonder why I
watched this show as long as I did…
Whatever. This little twist only exists to push the
story forward, as the only campus housing left for Lana to apply for is at the
Tri Psi Sorority. At said sorority, we
meet the members, including the leader, named Buffy Sanders. I’ve never seen Buffy the Vampire Slayer, but Smallville’s
Buffy is an evil blonde clique chick cliché that probably annoyed the heck out
of the Buffy fans and forced only a
mild chuckle and an eye roll from the rest of us. Even Chloe points this out when she says that
the names of everyone in this story have been “changed for the vapid.” (So why
does she still refer to Clark and Lana as Clark and Lana?) They’re clearly
acknowledging that this was a stupid attempt at humor aimed at
knuckleheads, so why’d they do it?
Oh yeah, and we
also meet the sorority’s token black girl.
See if you can find her!
Meanwhile,
at Clark’s college, our hero (?) is sitting through what appears to be a, uh…
historeconaticology class... when perennial antagonist Lex
Luthor randomly walks in. The professor
takes this opportunity to not-so-subtly blast LexCorp for the last few minutes
of the class, and once the students leave, Lex has a chat with the professor,
Milton Fine. (Yes, that makes him Brainiac, but that’s really not relevant to
this episode except insofar as he is played by Spike from Buffy.)
"You've been painting me as the poster child for corporate villainy. Some of the things you say come dangerously close to libel." |
No, it’s only
libel if it’s in writing. You’d think the
Luthor family would be more familiar with this concept than a blogger who saw Spider-Man, but apparently not.
"Slander's spoken. In print it's libel." |
A little later, Fine
shows up at the Luthor mansion to banter and exchange veiled threats with
Lex. Blah blah blah, the point is to
show that Fine can access Lex’s super-secret no-touchy files any time he wants,
a skill which will come in handy in about twenty minutes or so.
Back at Met U, Lana has earned her spot in the sorority. Already. Well that was quick. Now there’s only one initiation ritual left—hot off-screen lesbian kissing. Apparently, a little same-sex action is a small price to pay for gaining the ability to get punched down a flight of stairs by your sorority sister and live to tell the tale. I for one would like a follow-up episode investigating whether or not the fraternity guys feel the same way. For science.
Meanwhile, Chloe
and Clark have become concerned about Lana’s behavior—she’s staying up late
drinking and treating Clark like dirt—so they decide to infiltrate the Tri Psi
Sorority at a conveniently timed costume party.
They arrive during an equally conveniently timed flash of lightning.
They discover a
newspaper article that partially explains how the vampire sorority came into
existence.
The costume party comes to an abrupt end for our intrepid investigators when Lana, upon losing the hot guy she was about to take a chunk out of, makes a meal out of Chloe instead. Clark gets to her just in time and takes Chloe to the hospital, where they have no idea what’s wrong or how to save her. Apparently she caught vampire rabies or something.
That’s when Fine
waltzes back into the plot, finds out what happened to Chloe, and tells Clark to
ask Lex about a certain project of his, Project 1138. Clark does so, and several intimate close-ups
later, Lex reveals that LexCorp was responsible for saving Buffy from that cave. He goes on to say that the cave where Buffy was found was home to a population of vampire bats (@!%$&*!) infected by meteor rocks (kryptonite). After being bitten by them one too many times, she and one of the LexCorp employees who helped rescue her developed vampiric tendencies. This led to the development of an antidote and... wait, WHAT?!!!
(Yeah, and look at what they are using to keep the antidote active—a big old stalactite of kryptonite. Kryptonite? On Smallville??? Be still my beating heart! And why does Lex have a whole suitcase full of antidote just lying around anyway?)
The sorority
girls aren’t happy that Lana left her victim alive—the ultimate vampire faux-pas—and
insist that the only way she can atone for her sin is to bring Clark in for an
all-you-can-eat buffet. Lana goes to get him,
interrupting the lovely moment Lex and Clark were having. Clark, weakened by the kryptonite, can’t resist when Lana starts drinking his blood, which gives… her… heat vision.
Um. Fairly certain Clark’s powers
aren’t stored in his blood cells. Though
since Lana only gains the heat vision and nothing else, apparently all of his
other powers are stored elsewhere. Does
that make it more or less stupid?
Lana (somehow)
lugs Clark (still clutching the cure, evidently—you’d think she’d have taken
that away by now) back to Tri Psi. She
tries to convince Buffy to turn Clark into a vampire instead of eating him, but
when Buffy laughs her off, Lana unleashes the full fury of her heat vision,
though since we’ve already been shown that it’s impossible to kill a vampire
for more than five seconds, I’m sure it’ll have no effect on—
Whatever. Lana’s the new queen of Tri Psi until she
tries to convert Clark to vampirism in a scene that looks a little too rapey
for my tastes, but Clark delivers a shot of the antidote just in time.
Like I said,
Pauline Kahn thinks the vampire story is a load of hooey (despite all the super-special
official evidence Chloe brought in) but she thinks Chloe has talent and hires
her anyway. So Chloe gets to work at the
Planet, Clark and Lana’s relationship gets to limp along another day, and the
fact that Lana totally murdered Buffy—who was not so much a villain as she was a
victim, just like all the other girls at Tri Psi—is completely brushed under
the carpet along with her heat vision, never to see the light of day again.
Even back when I
genuinely enjoyed this series, “Thirst” was always the worst episode of the
series for me, and apparently the creators agree. (In the DVD commentary, one of the first
comments is “this is a little thing we like to call ‘what the hell were we
thinking’.”) And yeah, it’s not hard to
see why. I can suspend my disbelief when
it comes to space babies crash-landing in Kansas and people getting powers from
glowy meteorites every other Thursday, but sorority vampires are where I draw
the line.
Plus, aside from
all the weirdness, the whole episode is… how do I put this… Swiss cheese. Like I said, I haven’t seen Smallville in a while, so I don’t know
if these kinds of gimundo plot holes are the norm, but dang they’re big. Obviously, the fact that LexCorp never cured Buffy when they should have realized she was infected is the biggest offender, though I still wonder about that pizza guy. Not to mention the other victims these girls must have killed over the years. And speaking of cheese…
And honestly,
even if there weren’t any plot holes or ridiculous overacting, I can’t get over
the fact that Buffy was murdered and no one cares. She wasn’t born a vampire—it was a disease
she acquired either from her nights in the batcave. Yes, she ended up spreading it to a bunch of
other girls, who in turn helped spread it to still other girls, but that
doesn’t make her any less a victim. She could
have been cured just as easily as any of the others if it weren’t for LexCorp’s stupidity and Lana’s vampirism. She wasn’t the villain here in any way, shape or form. Or at least, she wasn’t any more of a villain than the rest of Tri Psi, including Lana, and obviously they aren’t supposed to be looked at as anything but helpless victims. How can you possibly justify her death?
And yeah, it
doesn’t help that Lana was the one who did the killing, because Lana is a
boring Mary Sue who kept getting shoved into the spotlight long after she
should have become irrelevant. The
second Lois shows up, we know it’s
going to turn into Lois and Clark
eventually anyway, so why the drawn-out mess?
Why not have them break up and reduce her role? Though I should probably qualify that by saying that foregone conclusions do not always
have to ruin a plot—historical movies like 1776
and Gettysburg are both very
entertaining in their own ways even though we know the outcomes from the word
go, and that’s mostly due to the likeability of the characters. Now if only Lana Lang was as sympathetic and lovable as General Pickett.
Images from Smallville and Spider-Man
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