I mentioned in
an earlier post that I was planning on reviewing a Batman comic for Christmas
this year. Unfortunately, the comic I
had in mind wasn’t quite as holiday-themed as I thought, so you get Iron Man
instead. Whatever, they’re both
emotionally stunted playboys with dead parents and too much time on their
hands. I’m sure nobody’ll notice the
difference.
Our story begins
on New Years’ Eve, and everyone in New York is ringing in the New Year with
their loved ones and booze but mostly booze.
Abominable
WoefulFrightful
Ugly
Loathsome
In case you
couldn’t tell, Tony Stark is spending his holiday in an Alcoholics Anonymous
meeting, at which Tony tells the little group all about his alcohol problems. This, as you might imagine, will take a while. You might want to get comfortable, maybe grab
yourself a drink… oh.
So how did Tony
acquire a taste for alcohol anyway? From
his father, of course. Thanks, Howard.
Hmm. Young child introduced to addictive substance by a man who clearly won’t be winning Father of the Year anytime soon. Why does that sound familiar…?
Now that I think about it, this actually summarizes the rest of the comic pretty well. Does that mean my job is done? No? Okay, fine, back to work.
Also, I have no
idea if this is a coincidence or not.
Like it says in the clipping, that interview was done in the late
eighties, and this comic was published in 1994, so it’s entirely possible
someone at Marvel read the book and decided to retcon it into Tony’s back story
(in which case, we should get that person tested for the X-gene, because I’m
pretty sure they can see the future). Or
maybe it’s just a coincidence. I’m not
sure which option is weirder.
Anyway, as Tony
gets older, he starts finding more and more excuses to drink. This culminates in the famous Demon in a Bottle storyline, which I
have already reviewed for your reading pleasure. If you will recall, that arc ended in Tony
getting sober with the help of then-girlfriend Bethany Cabe, who really should
have appeared in the movies by now because she is amazing.
So he gets
sober, but it all goes downhill a few months later when he relapses in
spectacular fashion.
THAT IS NOT WHO
I’M TALKING ABOUT.
Thank you.
Tony ends his
tale with his most recent tumble off the wagon: a week earlier, an AI named
Vor/tex took over Tony’s body and decided to indulge his body’s physical
craving for alcohol because why not?
However, Tony’s memories were so horrifyingly painful that Vor/tex ended
up deleting himself (that’s how you know your life sucks—when even an AI would rather commit
suicide than live it). Tony downloaded
himself back into his own body, not realizing it was intoxicated until it was
too late. Got any disturbingly appropriate magazine snippets for that?
That’s what I thought.
Obviously, Tony
doesn’t give quite that much detail to the AA people (“The circumstances…
aren’t important,” he says instead), but he did tell his best bud Jim Rhodes,
who is really very understanding about the whole thing, even though drunk!Tony
gave him an earful when he tried to call him in issue 309.
After Rhodey
leaves, Tony calls his long-time secretary, Mrs. Arbogast, into his office to
apologize for having to ask for her help the other day (Vor/tex left the
half-full bottle of booze in Tony’s office, and Tony nearly drank from it before
asking Mrs. Arbogast to pour it out for him instead). Mrs. Arbogast ain’t having none of that.
Another character who should have been in the movies. Two second cameos don’t count.
Back at AA, Tony
finishes his story to lots of applause and then goes home to watch some
movies—specifically, movies starring his friend Simon Williams, a.k.a. Wonder
Man, who was dead at the time. Again. (Don’t worry, he gets better. Again.)
They’re all terrible B-movies, the kind of stuff the Marvel universe’s
equivalent of MST3K would review, and the comic even shows Tony watching it in
an MST3K-style shot.
“Better headband, too.”
Our comic ends
when Bethany Cabe, who had returned as a platonic supporting character at some
point, shows up to celebrate the New Year with Tony and some non-alcoholic
beverages like the awesome and compassionate friend she is.
I actually kind
of like this issue. Not much going on in
the way of story, but it’s got some nice character moments and does a good job
of summarizing all of Tony’s alcohol-related troubles up until that point, so
it makes a handy-dandy reference. What
kills it, however, is the artwork, which is eye-bleedingly hideous from start
to finish. (That pretty much describes
comic book art from the ‘90s in general, actually.) Which is a shame, because again, the issue is
pretty good, though that may have been because it was mostly flashbacks to some
of the best Iron Man comics ever written.
And it’s nice to see a hero admit he has a problem and get some actual
help instead of moping in his basement all day, BATMAN.
Now if you’ll
excuse me, I have to go rent Pound.
Images from Iron Man #313, People 46.8, People
54.26, and Iron Man #309
Gonzo will be back next year with lots more Avengerous Tales, so stay tuned!
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