To read
Avengerous Tales 2.4, go here!
This review is
brought to you buy the letter R. R
stands for many things, like ‘review,’ which is what this is; ‘Red Wolf,’ who
is today’s guest hero; and ‘racism,’ which this comic has an abundance of. Happy reading! Oh, look, another R! Remarkable!
***Needless to
say, if you’re sensitive about misrepresentation of Native Americans in the
media, this Avengerous Tale is not for you.
The comic begins with an old nursery rhyme. You know the one: rich man, poor man, beggar man, thief; doctor, lawyer…
So Fedora Man
there is being chased by Red Wolf and an actual wolf for some reason. They just happen to bump into the Vision,
disguised as a regular person, during their chase, and our friendly
neighborhood synthezoid decides to investigate.
Red Wolf throws
Fedora Man into a construction pit, but the Vision is there to save him while
lecturing Wolfie about how all life is precious, etc. Red Wolf doesn’t take that well, and the
Vision is forced to knock him out.
Vision takes Red
Wolf and the actual wolf—who somehow gets that Vision doesn’t want to hurt them
and follows along—back to Avengers Mansion, where Iron Man is telling the
others that the group of villains known as Zodiac is showing signs of getting
back together. Everyone agrees that they
should make stopping Zodiac their priority… except Black Panther, who thinks
they should focus on stopping local gangs and such. That sounds suspiciously like what the Falcon
got up to around this time, so I’m pretty sure the writers were trying to be
topical by having their black heroes focus on “black problems.”
The Avengers are
just starting to squabble about what to do when the Vision arrives. When Red Wolf wakes up, he regales them with
his secret origin story. He grew up on a
reservation out west, where he heard lots of stories about the Red Wolf, a
mythical being who would supposedly come to the tribe’s rescue in their hour of
greatest need.
In despair, he
puts on the ceremonial Red Wolf costume, climbs a nearby mountain, and does the
Dance of the Red Wolf. Unlike all the
other million times this dance has been performed, this performance results in
an actual appearance by The Red Wolf himself.
Red Wolf worked
his way back to New York, where Van Lunt and his lackeys—including Jason Birch,
a.k.a. Fedora Man—live, and that brings us to today. The Vision says he’ll be happy to help Red
Wolf bring them to justice, and Goliath and Scarlet Witch volunteer to tag
along. Captain America, Quicksilver,
Thor, and Iron Man all go after Zodiac, and Black Panther says it’d be best if
he fought the gangs on his own because… um… I don’t know, because he’s black?
For some reason
they treat their splitting up as a big deal though, like the Avengers have
never done minor team-ups or solo adventures before. Maybe they’re just getting paranoid because
the last time they disagreed about which mission to take, Ant-Man got kidnapped by mole people.
Issue Eighty-One
begins with more handwringing about how the Avengers may be splitting up for
good, and Black Panther flies solo as promised.
He goes all the way to Daredevil #69
to do it, too, but we’ll talk about that next time. Let’s just focus on the others for now.
Well, too late
to turn back now. The Avengers arrive in the desert, where their airship is
attacked by another airship with guns.
The quinjet has no weapons because they’re idiots—come on, they’re the
AVENGERS, they have to know they’ll get attacked in that thing sooner or
later—so Vision has to save their bacon by flitting to the enemy craft and kicking
the butts of the robots that are controlling it.
In retaliation,
Vision increases his mass until the rocket he’s on also crashes, but not before
a surviving robot could place a call to its… employer? Creator?
Boss? Whatever, it’s Cornelius
Van Lunt, much to the Vision’s total lack of surprise.
Vizh goes
looking for the other Avengers, but he only finds the Scarlet Witch before
they’re surrounded by Jason Birch and his men and a whole lot of rifles. Wanda’s still too weak to use her hex power
on them, so they surrender and allow Birch to take them to Van Lunt’s hacienda.
Back out in the
desert, Goliath and Red Wolf also survived the crash and are hunting for the
missing Avengers. They crash-landed in a
lake that was created by a dam Van Lunt built on land he stole from Red Wolf’s
people. Our two heroes (plus Lobo) go to
see those people now, but they’re skeptical that Red Wolf truly is the Red Wolf
of legend, or that he can do anything to stop Van Lunt.
Van Lunt’s goons
show up, guns a-blazing. Goliath and Red
Wolf stomp them, which proves to the other Native Americans that they’re legit,
and they even agree to help them stop Van Lunt.
They all march right over to Van Lunt’s hacienda, where they encounter
the Vision, who if you’ll recall, has agreed to protect Talltrees’s
inhospitable neighbor.
But while
Goliath and Vision engage in fisticuffs…
Regardless of
motivation, Van Lunt takes some of his lackeys and the Scarlet Witch to a
helicopter and flies them over to the dam, shooting and killing all but Red
Wolf and Lobo.
Except it turns
out the Red Wolf and company weren’t going to blow up the dam, they were just
retreating so they didn’t have to watch Goliath get his butt kicked, which is a
really stupid reason when you think about it for more than a second. The Native Americans were all coming to Van
Lunt’s house to make him give back their river.
Did they think they wouldn’t have to fight for it? Were they just going to ask Van Lunt really,
really nicely to dismantle the dam and hope it worked? Why are they so squeamish all of a sudden?
The Scarlet
Witch gets her powers back in time to blow up Van Lunt’s helicopter and
(accidentally) destroy the dam, supposedly killing friend and foe alike. But then…
Whatever. Will is reunited with his family and walks
off into the sunset with them, thus ending the adventure of the first Native
American hero in an Avengers comic.
The story was a
little cliché—is there a law that says you can’t write a story with Native
Americans unless it involves white people trying to kill them and steal their
land?—but it’s Red Wolf’s portrayal, while nowhere near as bad as it could have
been, that sticks in my craw. His tribe
is never explicitly stated, but I assumed he was Navajo until the internet told me he’s Cheyenne, which, er, I don’t know where that came from because…
1. A couple of
tourists to the reservation mentioned Phoenix.
Okay, so they’re tourists, but
Phoenix immediately makes me think of Arizona, where a good chunk of the Navajo
Nation is. The Cheyenne are largely concentrated in Oklahoma and Montana.
2. Red Wolf got
his costume from a ceremonial hogan.
Hogans are traditional Navajo
dwellings and are still used today for ceremonial purposes; the Cheyenne lived in teepees.
3. Red Wolf
mentioned climbing “the people’s sacred mountain” before gaining his
powers. One of the more famous aspects
of Navajo lore is the four sacred mountains.
Yes, FOUR, so I don’t know which one Red Wolf was climbing. No, none of the mountains are associated with
the color red or wolves.
4. It should go
without saying that I couldn’t find any mention of “red wolf” stories in either
Cheyenne or Navajo traditions. Which is
exactly what I’d expect to find, since Talltrees is from out west and red wolves are from the south and southeast. However, this fellow here suggests Red Wolf’s story is loosely based on the NAVAJO legend of the Monster Slayer,
with a major emphasis on the loosely.
And also, the Monster Slayer is automatically better because he gets
lightning arrows instead of a bloody tomahawk.
TL;DR If you’re
going to write about another culture, research
it for X’hal’s sake. Don’t just mash
together whatever sounds good. Haven’t
we done enough to the Native Americans without smearing our greasy little hands
all over their cultures? Show some basic
respect.
In any event,
it’s obvious that the creators didn’t care about the wolf aspect so much as
they cared about squeezing the word ‘red’ into the Native American guy’s
name. BECAUSE HE’S NATIVE AMERICAN AND NATIVE
AMERICAN = RED, DO YOU GET IT??? It’s
like that Asian villain named Yellow Claw,
or all those black heroes with the word black
in their name. Are the writers afraid
we’ll forget their ethnicity if we’re not reminded of it every time
someone says their name? YES. WE SEE YOU PUT A MINORITY IN YOUR STORY. WHAT DO YOU WANT, A COOKIE?
Red Wolf’s debut
also reflects a big problem comics had when creating minority superheroes back
in the day: they were all indeed Minority Superheroes, not Superheroes Who
Happen to Be Minorities. Every time a
non-white hero showed up, all of their plots would inevitably revolve around
their race. Allow me to provide a few
examples:
-Red Wolf wants
to save his people’s land from Van Lunt
-Falcon wants to
clean up Harlem
-Black Panther
started out different, but seems to be sliding into Falcon-esque territory
-Sunfire, a
Japanese hero, is proud of his heritage to the point of being prickish about it
and was often shown resenting white heroes and the West in general
And that’s just
from Marvel. None of these guys are
heroes for the sake of being heroes like the white guys are. They’re MINORITY heroes here to CONTINUOUSLY
REMIND YOU of their minority status either by bringing it up themselves or by being
called “Uncle Toms” for daring to save a white guy once in a while. And while there’s nothing wrong with a hero
of color wanting to clean up his own backyard, when that’s the ONLY thing that
EVERY hero of color wants to do, we’ve got problems.
To read Avengerous Tales 2.6, go here!
Images from Avengers #80 and Avengers #81
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